The 'trad' movement

It is a shame that the recent 'trad' movement has taken the name of Traditionalism, further blurring its meaning, the same as the likes of Aldous Huxley and the theosophists did some decades ago. Now we must further distinguish what is meant by the term, most often using agitating phrases like "capital T Traditionalism" to differentiate meaning. 

Often, in the right-wing trad subculture, we see the following:

• from males: a focus on going to the gym and eating a specific diet, on being the financial provider for their family (so they say, I actually don't see many living examples of this, unfortunately those who espouse the idea are usually keyboard warriors who aren't responsible for any family whatsoever), some may fixate on hobbies they [read: their social media peers] have deemed manly such as gun collecting or mountain climbing
  
  
• from females: a focus on "being feminine" which they address by wearing certain clothing and taking on hobbies such as baking and sewing, going to church (usually very new to any religion), also a focus on reproducing and other Demeter-oriented activities

I applaud the above activities, as most of them are personal preferences and hobbies of mine and my husband as well. But this is not the point. The point is that the lower case trad types begin and stop here. Their fixations and focuses rest primarily on the external, on the doing, on the becoming, and again- in the archetypical Demeter and Warrior roles (if you don't yet grasp these archetypal roles, it is very useful to click the links and learn).

This is a form of 1950's [t]raditionalism, a roleplaying of Leave it to Beaver. And this should not be mistaken with or equated to true Traditionalism. 

The above and other mentioned hobbies and outward activities may indeed end up being natural by-products of a true man or woman of antiquity, i.e. Tradition, but what we see in the modern trad movement is these outward activities coming first, without the inner state as the foundation to inform action, which is why there is a sense of roleplaying, a loss of real essence.

Tradition is not an intellectual system, because it cannot be fully understood without having undergone a change in one’s being. -- Gornahoor, The Experience of Existence

I write this today because I do feel a sadness when I come across online profiles of women with "home, family, tradition" proudly written out in their bios.  Is this a huge step beyond most modern women? Probably. But I wonder, "what exactly does she mean by 'tradition'?" Is she merely referring to gender roles? Does she mean going to church? Wearing dresses? The problem here is that a truly life-changing path of Traditionalism is getting missed altogether, being understood and misrepresented as this 1950's path of externals, of which Puritan imagery becomes the defining aesthetic.

But Tradition is the transcendent path of inner change. It is altogether transformational on an ontological level for the one walking it. Curling your hair and baking bread matter not in such a realm. 

"The “greater holy war” is man’s struggle against the enemies he carries within himself, that is, against the elements in him that are opposed to order and unity. There is however no question of annihilating these elements, which, like everything that exists, have their reason for existence and their place in the whole; what is aimed at is to “transform” them, by bringing them back and as it were reabsorbing them into unity. Above all else, man must constantly strive to realize unity in himself, in all that constitutes him, through all the modalities of his human manifestation:

• unity of thought
• unity of action
• and also, which is perhaps hardest, unity between thought and action" - -Rene Guenon, Symbolism of the Cross 

So much esoteric meaning has been lost to us, and I worry that people--even some I know and love--are LARP'ing some role which will not lead them down a path of true fulfillment or spiritual growth/union with God. We cannot focus on the wife, the house, the job, the church building only and expect gratification. Eventually, externals will fail you.

This loss of meaning extends into every realm. Think of archaeologists who unearth ceremonial artifacts, only remarking on the physical attributes and the physical activities these objects implied. They can't possibly fathom the potential power, danger even, that they hold in their hands because the world has been reduced to only knowing "truth" through the senses. Our epistemological empiricism and rationality, even our own scientific method, assumes that the physical layer of reality is it. 

And we have such a difficult time escaping this paradigm, as we've all grown up in it, our very thought will always be influenced by it, no matter how hard we try. We see this even in the 'trad' movement, which I honestly find more and more insufferable these days, steeped in ego and self-righteousness, and unfortunately, still so fixated on biology and the physical in general. I just wish they would have chosen a different term to define themselves; using 'traditionalist' is contributing to subversion.

The Longing to Seclude Oneself

Getting snowed in--though admittedly purposefully-- in a small, creekside, tree-canopied cottage, and getting to live out the most refreshing series of days in remembrance, will give one pause to ponder why being alone feels so good. [It's worth noting here that I'm not truly alone, being a married woman, though in time we have worked out how to be two existing solitudes when we wish, so I'll go on to refer to being alone as such.] Not just alone, but removed. There is a difference, since one can be "alone" in their apartment in a city. But to be alone and removed, outside the sphere even of mental influence of other minds for days on end, no longer feeling as a character on the anxious stage of the ever-unfolding human drama. 

I've loved, been accustomed to, solitude for most of my life- growing up as an only child who spent a great deal of her time alone in a blue-carpeted, blue-walled bedroom listening to Tool and watching the ceiling fan rotate to pass the afternoon, or gallivanting around the countryside hills and corn fields an entire Saturday, fixating on shapes of rocks and how red clay straight from the ground could be molded into bricks. This later morphed into seeking to live in far out, rural and secluded places, which finally took form early in my 20's and has continued since, now reaching a pinnacle of residing in a county twice the size of Rhode Island with not a single traffic light, in the rugged mountains of America's Inland Northwest, with only 3 people per square mile. Were it not for my family ties, I would go farther.

There is something very sacred in living one's life quietly, without calling attention, without being so easily accessible, and likewise unable to access the lives of others. In withdrawing, being alone, out away from the noise of human maneuverings, I find a connection with the transcendent, that is, with God and higher experiences, to be more easily within reach, more consistent, nearly tangible. One can fall into this current without any thought of being interrupted and, oh, the "places" that can be reached! The shedding of the vanity of daily life can be felt as a deep cleanse and purification. 

"The urge to withdraw has always been stronger in me than the urge to take part in the world in any way. People would often come, with what I deemed, vulgar and profane suggestions, that seemed not to address the core sentiment behind the urge to withdraw - and that is the sentiment that everything is vanity. Children, jobs, marriage, lovers - all a noise, a comfortable attachment to help one pass through existence." - Orphic Inscendence, Urge to Withdraw

 

In this life of mine, at this stage of it, I certainly don't feel bored, but I do feel a sense of... as Naida puts it, being aged. 

"I felt aged - like I've already seen it all, had hundreds of children and husbands and wives, like I've been a criminal, a priest, a queen, a prostitute, and there was nothing left for me to be anymore. All the roles seemed too familiar and already explored and lived. It wasn't nihilism that was behind the urge to withdraw - it was inability to see any evidence of my belief that there had to be more to life than dying with a stomach more full than you started with." - Orphic Inscendence, Urge to Withdraw

This feeling of familiarity, of having done it all already, reduces many of the human concerns and dramas into mediocrities, cultivating an indifference to participation. Feeling simply uninterested in it all, what is one to do but to retire to their own devices, far away, and to devote their life to that upward path, which is to God. Though I can't help feeling I've done that before too, still it feels right.

Agafia Lykov's existence is one I've long found inspiration in. Her family were one of many Old Believers who fled Russia in 1936, believing their religion to be under attack. They trekked deep into the wilds of Siberia, and this is where Agafia was born, in a hollowed out pine washtub. The family of six spent over forty years in isolation until they were discovered by a team of geologists in 1978, though at that point only a family of five as the mother, Akulina, had perished from starvation in 1961, sacrificing herself so the children might live. (You can learn more about this story as I did in the book Lost in the Taiga.) To this day, Agafia resides alone in the taiga, now age 77. All her life is an ascetic feat. 

The 2012 Austrian-German film The Wall (or- Die Wand) gives me pause for thought. In it, a woman visits friends at a hunting lodge in the Austrian Alps. Later, as her friends head into a nearby village leaving her alone with the dog, she soon finds that she's been cut off from the rest of the world by an invisible wall. Years of hardship, depression, and despair portray seclusion as a terror, but is her experience closer to the marrow of what this life is for? Certainly the comforts and social expectations of daily life were removed, but must this be so jarring? Is there not an opportunity there? Surely there is, and we catch glimpses of this throughout the film, such as in her second summer when she writes that her "newer self" seemed to be getting "absorbed into a greater whole."

But what I observe in life is that most people are not interested in solitude or silence or going inward much at all. I think this is because there is a noise to life- both external and internal, which we are very accustomed to hearing, and when those sounds dim, the void brings an anxiety. So solitude and asceticism go hand in hand, much like someone in a mode of crisis should not be told to meditate- the state of their mind at current is not a healthy place to linger. Maybe to enjoy solitude and to yearn for a far away natural setting as the canvas for ones life, certain preparations must first be made, of an internal kind. 

If we believe in the transmigration of souls, then it also follows that not every soul is ready for this approach to life, or is even in need of it yet. With this in mind, it's unrealistic for us to expect others to understand our longings for this worldly detachment and unconcern and for wanting to be far away, just as we cannot exist for long in their chosen environments without fatigue and dullness setting in. 

"Constant and unalloyed devotion to Me; aspiring to live in a solitary place; detachment from the general mass of people; … [ – all these I declare to be knowledge]." -- Bhagavad Gita, 13.11

 

In order for our inner territory to be interesting, introspective practices should be performed regularly- reading, seeking wisdom, yoga, meditation, writing, contemplation, and prayer, to name a few. And if you are reading this and feel similarly but have yet to make sense of it, might I suggest one place to begin is in watching this series, and taking time to reflect on the teachings therein, which might help you understand why you feel the way you do, longing to seclude from the world. There are good reasons for feeling this way, especially here in the Kali yuga.

Currently reading

 

Keep building those inner fortresses

"What we achieve inwardly, will change outer reality." -- Plutarch


Yes, exactly. One person looks around and sees a pit of despair, of boredom, restlessness, and disgust, while the other touches transcendence and senses God in the simple movement of wind across their face, or light bouncing around the ground, though they both stand in the very same place.

Return

"In a revolutionary epoch, sometimes men taste every novelty, sicken of them all, and return to ancient principles so long disused that they seem refreshingly hearty when they are rediscovered."

Sanctify

We all generally want to feel "happy". But when you reflect on your life, when did your big spiritual growth spurts happen? Usually deep growth comes from hardship and strife, from those dark nights of the soul. I think many humans rob themselves of a rich life experience by succumbing to the assembly line of quick distractions and comforts- TV, gossip, scrolling social media, overeating, partying, alcohol, drugs, pornography... the multitude of balms we rub on ourselves, and they are plentiful. Left unaware, we become slaves to sense gratification.

I think it's crucial that we make ourselves present for life, all of it, rather than distract. We must understand why we're here in this human form, which is for spiritual realization, not just a happenstance universe explosion as Materialists would have you believe (and had me believe for a good portion of my life). In this way, you can reinterpret suffering and not be a captive to the finite material world, the body you're in, and what it's currently enduring. 

Hone your mind. Connect to the Divine through daily devotion. Build up a sanctuary in yourself. Fortify what is eternal in you.

Honoring the Longing

Something that happens to me every so often is I get stricken by an intense desire and nostalgia for what I simply refer to as "The Old World." The sight of modern anything--cars, wires, sports shirts, tennis shoes, neon signs, tupperware, styles and lingo of the day, memes, speech patterns, all of it--dulls my mind even moreso than usual and I long for somewhere or somewhen that I really have a hard time putting my finger on, or putting words around. But the essence of it is captured here, here, here, here, here, and on a more philosophical level here and here. As quick examples.

When this whirlwind comes over me, I fall quiet and inward, and all I know to do is to make my own world resemble this imaginative place as much as possible. I mind my thoughts, my words, my quickness and try to sink into the headspace of that time (though I still don't know if linear time is the right way of thinking about it). 

So this morning, we woke, he a little before I, and the former meditated and the latter showered. Then I told him how I'm feeling- and wondered out loud if maybe going to the Scottish Highlands for a few months would be feasible. I think you can stay for 6 months at a time, maybe then heading up to the north of Sweden or over to the west of Ireland... then switching back again when the 6 month visa ran out. Repeat. Just to be immersed in that world where the tales, rituals, and mythologies of my own kin and blood are buried in the soil and carved into stone. Would I feel a familiarity? Would I experience deja vu unexpectedly like the Barra boy? I idealize a life there, assuming, perhaps quite unrealistically, constant enchantment, where the doors of my creativity are swung open and a convocation of eagles thunders out, relieved to be released, their spirits soaring across that landscape, brushing shoulders with the ghosts of my forefathers who still require bread and water offerings. 

When I feel this way, the best thing I know to do is either go out to some mythical and inspiring landscape and to meander and sit there, or to stay home with my teas and coffees and steep my mind in appropriate documentaries, books, or my own creative projects. If honed correctly, I've learned that this terrible longing, like a lost love, can be a source of inspiration. 

Anywho- this morning after our talk, we decided to meander into town, grab some hot breakfast from the local market to-go, refill our thermos' with hot coffee, and go sit by the lighthouse with it all. On the way, we listened to Dylan Thomas' Under Milkwood, the 1954 radio drama of the innermost thoughts and feelings of the inhabitants of a small Welsh fishing village. It helped kindle and hold onto this atmosphere I was hoping to sink into for the day.

As we wound through the streets of our own seaside town, headed for the lighthouse, the air smelled of seaweed and breakfast, and the pedestrians began turning into characters themselves, just like in the story we were listening to. Amazing what a shift in perspective can do.

We perched on a large rock and sat quietly as the churning sea tide rolled in, actually out, a few feet beneath us. I chewed the buttermilk biscuit dipped in gravy, and let my gaze free to do as it pleased out across the sea, sometimes focused, sometimes blurred and wide and dreaming. A speckled body broke the milky blue surface, her deep black eyes looking into ours, and we gasped- a harbor seal, or maybe a Selkie woman. Who knows in this time when we've made everything mundane with our categorized folders of so-called facts, which we all feel we have an authority over, a monopoly on truth. But maybe the harbor seal was a Selkie. Let's live in the question.

Back home now, I'm curled at my desk with the heater on, about to start on a new embroidery, and through the wall I can tell that Eric is singing songs I've never heard before, of his own making I do believe, and strumming guitar. I'm glad the creative feeling is permeating and we have, for a bit, gotten our minds off the ol' to-do list which can distract you for a lifetime if you don't watch it.

I'm going to go fill the coffee cup and thread the needle, with a picture in my mind involving a dharmachakra-wheeled chariot, a druid charioteer, with a black and white horse pulling them both. In the druids hand will be either a torch or the branch of a Holly tree. Do you know the ancient relationship with druids and modern rulers (who program the masses) with Holly wood? 

Revolt Against The Modern World, Chapter 2 - Regality (Notes)

As I make my way through this book, you can find previous notes here:

Summary & Preparation

Foreword

Chapter 1 - The Beginning

___________________________________

Photo by Tiffany Davidson

Notes: Chapter 2 - Regality

In this chapter, Evola discusses how kingship was viewed in the pre-historic world of Tradition. He also provides various descriptions of what constituted a good leader, and what still constitutes a good leader if you believe these principles to be axiomatic and enduring.

This chapter can be difficult, or triggering, for the modern mind which touts democracy as the most superior form of governance. We are accustomed to living in an age that worships the common man, where decisions are made by the whims of the masses. 

But hierarchy is dharma; it follows the natural way of the universe.

It's also worth mentioning that according to the cycles of the ages, we're currently living in the Kali Yuga, which is characterized as an age when humanity degenerates spiritually. So kingship in a fallen age is certainly difficult to imagine in any non-corrupt virtuous form. ("modern monarchies merely imitate the past, they wear the dress but lack the inner constitution")

But in pre-historic societies, kings were loved and revered and viewed as a source of true inspiration and as a link between the physical and metaphysical. It was essential the king have a strong connection to the Transcendent in order to be a respected ruler that the people could trust to act as a bridge, or pontifex, between the material and spiritual realms.

I've selected some passages from this chapter (in italics), paired with my own notes (non-italics), to help illuminate the ways in which regality was viewed in Traditional societies.
___________
________
_____

"Every traditional civilization is characterized by the presence of beings who, by virtue of their innate or acquired superiority over the human condition, embody within the temporal order the living and efficacious presence of a power that comes from above."

In understanding the nature of a true King, it's of paramount importance to grasp that it was the inner nature of a man which brought about his regality. We aren't speaking of a kingship that is simply handed down through a bloodline. The position was very much earned.

A king could not expect to achieve victory in the external world without first having achieved it internally.

"Pontifex means 'builder of bridges,' or of  'paths' connecting the natural and supernatural dimensions. The pontifex was traditionally identified with the king. Servius, a late fourth-century commentator on Virgil's works, reports: 'The custom of our ancestors was that the king should also be pontifex and priest.' A saying of the Nordic tradition reads: 'May our leader be our bridge.'"

"Thus, real monarchs were the steadfast personification of life 'beyond ordinary life.' ... These influences [of the monarch] permeated people's thoughts, intentions, and actions, ordering every aspect of their lives and constituting a fit foundation for luminous, spiritual realizations."

"Traditional civilization, unlike those of decadent and later times, completely ignored the merely political dimension of supreme authority as well as the idea that the roots of authority lay in mere strength, violence, or natural and secular qualities such as intelligence, wisdom, physical courage, and a minute concern for the collective material well-being. The roots of authority, on the contrary, always had a metaphysical character."

"In an ancient Indo-Aryan text it is written: 'The dignity a god enjoys on earth is splendid, but hard to achieve for the weak. Only he who sets his soul on this objective, is worthy to become a king.'"


In a sense, the King was the idyll- an ultimate role model, a motivation for people. It didn't matter a person's place in society, they devised a noble path for their own role, rather than aspiring to be something else or something more. This is a side tangent, but I do think it's worth thinking on- that is, the notion of desire. Today, we desire to climb the ladder and to become something more, always looking to some future point when we will be more, have more. Hindus value the caste system, and this was a system common in pre-historic cultures too. This sort of system, knowing one's place in society, helped rid the mind of desire, and individuals were free to pursue a path of transcendence whether they were king, butcher, priest, milkmaid, monk, or blacksmith. Contrast this with the striving for material gain so common now in the modern world.

"The ultimate aim [of a Traditional community] would be to achieve a society in which every individual was living in a state of high vibration."  (source)

Moreover, a nations fortune or misfortune was thought to be dependent on the kings behavior and inner metaphysical state:

"The common assumption was that the fortunes or misfortunes of the kingdom, as well as the moral qualities of his subjects (it is the virtue in relation to the being of the monarch, and not his actions, that carries positive or negative influences on them), secretly depended on the monarch's behavior. The central role exercised by the king presupposed that the king maintained the aforesaid triumphal inner way of being."

The power of the king was only given to him so long as he maintained his inner equilibrium and transcendent nature. If he failed to do this, the force would be transferred to someone more worthy.

Contrast this to modern times when we feel rulers should be help accountable by the people. In Traditional times, it was thought that the King was held accountable by God (note that by using this term I'm not referring to a Christian God, but God as the divine foundation from which all physical and metaphysical spring. I'll be able to elaborate on this in the future after I've spent more time studying the Vedas).

"The king, empowered with a non-terrestrial force, with its roots in something that is 'more than life,' naturally appeared as one who could eminently actualize the power of the rites and open the way leading to the superior world. Thus, in those traditional forms of civilization in which there was a separate priestly class, the king, because of his original dignity and function, belonged to this class and was its true leader."

Mere physical force is nothing compared to spiritual might, this is why the ultimate king is not of the warrior caste, but the priestly caste.

________________

"We yearn to live in harmony with the natural order, to be connected to the great source once again, and we long for a divine leader. When he holds steady the center of the wheel of Dharma, society is imbued with grounding force."

"wheel of Dharma" images were found on Google and are not owned by me

Revolt Against The Modern World; Chapter 1 - The Beginning (Notes)

As I make my way through this book, you can find my previous notes here:

Summary & Preparation

Foreword

Notes: Chapter 1 -  The Beginning

Throughout the book, Evola will be focusing on contrasting Modern civilization and the world of Tradition (always with a capital T, it's important to understand that tradition is not being used here to mean wear dresses and bake bread).

He starts Chapter 1 off appropriately by distinguishing between the two:

"In order to understand both the spirit of Tradition and its antithesis, modern civilization, it is necessary to begin with the fundamental doctrine of the two natures. According to this doctrine there is a physical order of things and a metaphysical one; there is a mortal nature, and an immortal one; there is the superior realm of 'being' and the inferior realm of 'becoming.' Generally speaking, there is a visible and tangible dimension and, prior to and beyond it, an invisible and intangible dimension that is the support, the source, and the true life of the former."

So modern civilization is characterized by: physical, mortal, inferior becoming, visible, tangible

Whereas, Traditional civilizations are: metaphysical, immortal in nature, superior being, invisible, intangible. Evola states that the true Traditional mind saw the metaphysical realm as the source of the physical realm. Obviously this strongly contradicts the modern mind, which is prone to Materialism and judges knowledge and truth by sensory [physical] experience and measurement. 

"Anywhere in the world of Tradition, both East and West, and in one form or another, this knowledge (not just a mere 'theory') has always been present as an unshakable axis around which everything revolved."

Here Evola is emphasizing that these were key components of reality that ancient Traditional people knew, not theorized, to be true. 

"As difficult as it may be for our contemporaries to understand this, we must start from the idea that the man of Tradition was aware of the existence of a dimension of being much wider than what our contemporaries experience and call 'reality.' Nowadays, after all, reality is understood only as something strictly encompassed within the world of physical bodies located in space and time."

"Certainly, there are those who believe in something beyond the realm of phenomena. When these people admit the existence of something else, however, they are always led to this conclusion by a scientific hypothesis or law, or by a speculative idea, or by a religious dogma; they cannot escape such an intellectual limitation. Through his practical and immediate experiences, modern man, no matter how deep his 'materialistic' or 'spiritual' beliefs may be, develops an understanding of reality only in relation to the world of physical bodies and always under the influence of his direct and immediate experiences."

So, many modern people will claim to believe in something metaphysical. They attempt to break through the physical barrier, into that other superior realm. The important distinction here is that modern people try to escape this inferior physical realm through belief. They believe, but they don't know. Whereas Traditional humans knew. Modern man will attempt to believe in something non-physical and eternal, but only through religious dogma, scientific hypothesis, or their own speculation. These are all paths of the temporal, the intellect, what Evola calls the intellectual limitation of Modern men.

"The worst type of materialism, therefore, is not a matter of an opinion or of a 'theory,' but it consists in the fact that man's experience no longer extends to non-physical realities."

Evola maintains that one cannot know the metaphysical by coming from the physical, just as Traditional knowledge was that the physical sprang from the metaphysical, and not the other way around. 

Keep in mind, this Modern influence started a very long time ago (recall that Evola considers all of history to be modern).

"The experience of Traditional man used to reach well beyond these limits, as in the case of some so-called primitive people, among whom we still find today a faint echo of spiritual powers from ancient times. In Traditional societies, the 'invisible' was an element as real, if not more real, than the data provided by the physical senses. Every aspect of the individual and of the social life of the people belonging to these societies was influenced by these experiences."

So, because we are of Modern minds, very much attached to the rational, the physical, the so-called scientific... is it even possible to push out of our physical box over to a metaphysical vastness where we know, and not merely believe?

Here in Chapter 1, Evola points toward a potential path, which I'm sure will be discussed much more in-depth throughout the book, that is the path of the Ascetic. 

"...The experience of asceticism was regarded as the path leading to the other region, or to the world of 'being,' or to what is no longer physical but metaphysical. Asceticism traditionally consisted in values such as mastery over oneself, self-discipline, autonomy, and the leading of a unified life. By 'unified life' I mean an existence that does not need to be spent in search of other things or people in order to be complete and justified."

Revolt Against The Modern World: Foreword (Notes)

I first jotted notes down about the book I'm currently studying in this post. Now, before continuing on into Chapter 1: The Beginning, I wanted to jot down my notes from the Foreword. I'm really trying to internalize, sort out, and understand Evola's teachings and this feels like one way to fully digest the information I'm consuming.

Notes from Revolt Against The Modern World: Foreword



> ..."there are causes that have been active for centuries that have contributed to spiritual and material degeneration. These causes have not only taken away from most people the possibility of revolt and the return to normalcy and health, but most of all, they have taken away the ability to understand what true normalcy and health really mean."

> "The only thing that matters is the silent endurance of a few, whose impassible presence as 'stone guests' helps to create new relationships, new distances, new values, and helps to construct a pole that, although it will certainly not prevent this world inhabited by the distracted and restless from being what it is, will still help to transmit to someone the sensation of the truth--a sensation that could become for them the principle of a liberating crisis."

> "...reference to the spirit of universal civilization, on the ruins of which everything that is modern has arisen..."
Here, Evola is speaking to principles that were found throughout all ancient cultures, despite the geographical location, race, or specific religion. My opinion and thought at this point is that Vedic philosophy is one such example -- the most ancient spiritual/philosphical worldview that is known of today, an oral tradition which was first written down in Sanskrit, and which is the source of all other religions worldwide. If we look back to things such as this, Evola posits that we find foundational principles and therefore truths. It's also worth mentioning that Veda was a worldwide view, there are remnants of Vedic philsophy in Ireland and Russia, though many modern people associate Vedic philosophy with Indian Hinduism alone, this is not accurate.

> "...the first forces of decadence began to be tangibly manifested between the eighth and the sixth centuries B.C., as can be concluded from the sporadic and characteristic alterations in the forms of the social and spiritual life of many peoples that occurred during this time."
Here, Evola is defining what he means by modern, essentially everything in recorded history is modern. So the distinction between Traditional and Modern is the distinction between pre-history and history, between mythological and scientific, between non-linear time and linear time, all respectively.

To study and try to understand this work, I need to radically change my method and mentality, which is heavily influenced by Modernity.

"...the whole body of traditional civilizations, is characterized by the feeling of what is beyond time, namely, by a contact with metaphysical reality that bestows upon the experience of time a very different, 'mythological' form based on rhythm and space rather than on a chronological time."

So the emphasis on the distinction between metaphysical and physical cannot be overstated when distinguishing between the relationship that Traditional civilizations had with reality, versus Modern civilizations.

>"...wherever a civilization is manifested that has at its center and substance the temporal element, there we will find a resurgence, in a more or less different form, of the same attitudes, values, and forces that have defined the modern era in the specific sense of the term; and that wherever a civilization is manifested that has as its center and substance the supernatural element, there we will find a resurgence, in more or less different forms, of the same meanings, values, and forces that have defined archaic types of civilization."
Again- Modern versus Tradition is about principles, not linear timelines. Temporal represents Modernity, Supernatural represents Archaic/Tradition.

>It needs to be made clear Evola's stance on science and epistemology (how we know what is true):
"The above remarks will suffice to show how little I value all of what in recent times has officially been regarded as 'historical science' in matters of religion, ancient institutions, and traditions, nor do I need refer to what I will say later concerning the origin, the scope, and the meaning of modern 'knowledge.' I want to make it clear that I do not want to have anything to do with this order of things, as well as with any other that originates from modern mentality; and moreover, that I consider the so-called scientific and positive perspective, with all its empty claims of competence and of monopoly, as a display of ignorance in the best of cases."

Though Evola does not deny that science and modern means of accruing information are altogether useless-
"I certainly do not deny that from the detailed studies of the 'scholars' of different disciplines what may emerge is useful (though unrefined) material that is often necessary to those that do not have other sources of information or who do not have the time or intention to dedicate themselves to gather and to examine what they need from other domains. And yet, at the same time, I am still of the opinion that wherever the 'historical' and 'scientific' methods of modern man are applied to traditional civilizations, other than in the coarser aspect of traces and witnesses, the results are almost always distortions that destroy the spirit, limit and alter the subject matter, and lead into the blind alleys of alibis created by the prejudices of the modern mentality as it defends and asserts itself in every domain."

"...from the perspective of 'science' what matters in a myth is whatever historical elements may be extracted from it. From the perspective that I adopt, what matters in history are all the mythological elements it has to offer, or all the myths that enter into its web, as integrations of the 'meaning' of history itself."
Evola goes on to provide an example to illustrate his meaning: "Not only the Rome of legends speaks clearer words than the historical Rome, but even the sagas of Charlemagne reveal more about the meaning of the king of the Franks than the positive chronicles and documents of that time, and so on."

>"Those who begin from a particular traditional civilization and are able to integrate it by freeing it from its historical and contingent aspects, and thus bring back the generative principles to the metaphysical plane where they exist in a pure state, so to speak-- they cannot help but recognize these same principles behind the different expressions of other equally traditional civilizations. It is in this way that a sense of certainty and of transcendent and universal objectivity is innerly established, that nothing could ever destroy, and that could not be reached by any other means."

I like this because Evola reiterates that we are looking to Tradition for principles, and that as we start to see the same principles span different times and cultures, we can use these universal principles to hone in on truths. This makes a lot of sense to me.

>Evola clarifies that he will pull from Eastern and Western traditions, depending on which best illustrates the point. This does not make him of that belief, but is merely being used as a tool. This deserves to be clarified as many people will quickly associate an author with a certain spiritual or religious group, and then write them off as believing in something other than they themselves do if that's the case. Again, Evola will use a myriad of spiritual and religious cultures and beliefs to illustrate fundamental principles.
"In the course of this book I will refer to various Eastern & Western traditions, choosing those that exemplify through a clearer and more complete expression the same spiritual principle or phenomenon."


>"In the first part, I will trace directly a kind of doctrine of the categories of the traditional spirit; I will indicate the main principles according to which the life of the man of Tradition was manifested."
"The forms and the meanings indicated should not be regarded as 'realities' proper... but rather as ideas that must determine and shape reality and life, their value being independent from the measure in which their realization can be ascertained, since it will never be perfect."
Here, Evola seems to be almost reassuring us that the realization of the value will never be perfect, assumingly meaning were we to endeavor for it, but the value or principle remains as the goal, the truth.

Thoughts on humility

I guess in every era of humanity, certain characteristics are more pronounced than others, depending on events, cultural beliefs and societal norms, prosperity (or not), available technologies, and surely a whole host of other influential factors.

As I move through the years and continue to develop more and more self-awareness, it causes me to reflect on society at large; the environment around me that influences so much of who I am.

No matter how individual and self-aware we consider ourselves to be, a substantial percentage of this 'self' we identify as is a pure result of what we see around us. We are constantly receiving cues from the rest of the herd, and this shapes our behavior and our minds, even if we fancy ourselves contrarian in thought and action.

The essence of humility seems to come from a place of service. Service to what? It doesn't seem so much as service to someone as it does service to some higher ideal. (So, to illustrate what I mean by that, I believe that while parents can be a wonderful example of humility, the higher ideal presupposes the daily acts of humility).

Humility could be a great act of service in the Western world where the prevailing attitudes are abrasive, loud, competitive, and self glorifying.

Maybe because they are more rare these days, I find myself taken aback by those who embody gentler characteristics of beauty such as humility, grace, calmness, and sincerity. There is a goodness that shines through if you have eyes to see it and a heart and mind to recognize that kind of quiet and subtle strength.

While I'm interested in the outward appearance of humility for its potential ripple effect, I'm more curious about the inward experience of humility. What does humility feel like? Here are a few things that come to my mind to start me thinking on it more:

Humility feels like--

• the opposite of perfectionism
• the opposite of self importance 
• acceptance of what is rather than resistance
• absence of self-righteousness, or perhaps all righteousness
• internalization that you are fallible, and so are others
• being fixed toward higher ideals and morals; not governed by emotional whims and moods
• a mode of listening and receptivity rather than feedback and penetration
• lack of criticism

Muses of humility?

• Taka, the female lead on The Last Samurai movie 
• Agafia Lykov, perhaps
• ...

I'll add to this list as I think more on the topic. I'm interested to hear others input, so please leave a comment if you have thoughts on humility, modern cultures lack of it, or any muses of humility that you can think of.